The Whole of the Moon II, 2020
Hard-Edge Composition 2a, part of a series of 9 paintings
This one was inspired by a transition I made on the phases of the moon. Only I could not do circles yet, so I made them squares.
Study: Hard-Edge Paintings
Year: 2020
Dimensions: 80cm (H) x 80cm (W)
Media: Painting - Acrylic on canvas
Hard-Edge Composition 2a, part of a series of 9 paintings
This one was inspired by a transition I made on the phases of the moon. Only I could not do circles yet, so I made them squares.
Study: Hard-Edge Paintings
Year: 2020
Dimensions: 80cm (H) x 80cm (W)
Media: Painting - Acrylic on canvas
Hard-Edge Composition 2a, part of a series of 9 paintings
This one was inspired by a transition I made on the phases of the moon. Only I could not do circles yet, so I made them squares.
Study: Hard-Edge Paintings
Year: 2020
Dimensions: 80cm (H) x 80cm (W)
Media: Painting - Acrylic on canvas
Hard-Edge Paintings.
This study consists of 3 series of 3 paintings, using the Hard-Edge technique that emerged in California in the 1950’s.
Each series is based based on an algorithm and starts with a full composition, using my colour pallet inspired by the Paris Metro. The second painting is a deconstructed version and the third painting of each series uses just Red, Blue and Yellow, and the values of Black, Grey and White, the colour palette that the members of De Stijl became so famous for, to better understand its power.
More info on the series is here
